Acoustic Blues Guitar Teacher Queensland 4228 Tallebudgera

acoustic blues guitar instructor Tallebudgera Queensland 4228

 

Acoustic Blues Guitar Teacher 4228 Tallebudgera Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of popular music throughout the United States.

Although instrumental accompaniment is virtually universal in the blues, the blues is essentially a a kind that is vocal. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings as opposed to telling stories. The emotion expressed is normally one of sadness or melancholy, often due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (sustaining just one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Typically the first two and a half measures of each line are given to a half, the last measure and singing composed of an instrumental “break” that recurs, replies, or complements the vocal line. When it comes to practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Tallebudgera 4228 Queensland.

African influences are evident in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are badly recorded. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and afterwards many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in the Carolinas, Georgia and three principal regions, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Impacted by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is defined by high, clean singing followed by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4228 Tallebudgera.

Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women including Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographic dispersal of the blues. The blues became adapted to the more complex urban surroundings. The electric guitar and the amplified harmonica created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, nonetheless, that played the greatest part in the development of urban blues. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Jazz and blues are closely associated; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Rhythm and soul music and blues also show forms and obvious blues tonalities. The blues have had their biggest influence on rock music.

Early rock singers such as Elvis Presley regularly used blues content. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Tallebudgera Queensland 4228

Acoustic Blues Guitar Teacher Queensland 4228 Tallebudgera

 

 

 

 

 

 

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