Acoustic Blues Guitar Teacher 4850 Yuruga Queensland

acoustic blues guitar instructor Yuruga Queensland 4850

 

Acoustic Blues Guitar Teacher Queensland 4850 Yuruga

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of popular music throughout America.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a a type that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is typically one of melancholy or sadness, commonly due to problems in love.

To express this musically, blues performers use vocal techniques including melisma (sustaining a single syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Usually the first two and a half measures of each line are dedicated to the last measure, singing and a half consisting of an instrumental “break” that recurs, answers, or complements the vocal line. In terms of practical (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4850 Yuruga.

African influences are obvious in the blues tonality, the call-and-response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The origins of the blues are badly recorded. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterwards many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in three main regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Impacted by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles.

High, clean singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Yuruga 4850 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women including Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is known as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographic dispersal of the blues. The blues became adapted to the more sophisticated urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The harmonica that was amplified and the electric guitar created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, nonetheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been affected by the blues. Blues and jazz are closely linked; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Soul music and rhythm and blues additionally reveal forms and obvious blues tonalities. The blues have had their greatest effect on rock music.

Rock singers for example Elvis Presley often used blues content. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Yuruga Queensland 4850

Acoustic Blues Guitar Teacher Queensland 4850 Yuruga

 

 

 

 

 

 

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