Acoustic Blues Guitar Teacher Victoria Estate 4850 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of popular music throughout the USA.
Although instrumental accompaniment is virtually universal in the blues, the blues is basically a a form that is vocal. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings instead of telling stories. The emotion expressed is typically one of melancholy or depression, often due to problems in love.
Generally the first two and a half measures of each line are committed to a half, the last measure and singing consisting of an instrumental “break” that complements the vocal line, responses, or recurs.
Acoustic Blues Guitar Teacher Victoria Estate 4850 Queensland.
African influences are evident in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.
The origins of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in Texas, Georgia and the Carolinas, three principal areas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Affected by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is defined by high, clean singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4850 Victoria Estate.
Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage singers backed by jazz bands; their style is called classic blues.
As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adapted to the more advanced urban environment. The electric guitar and the amplified harmonica created a driving sound of rhythmic and psychological intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nevertheless, that played the greatest part in the growth of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been affected by the blues. Blues and jazz are closely related; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Soul music and rhythm and blues additionally show shapes and clear blues tonalities. The blues have had their largest impact on rock music.
Blues material was regularly used by rock singers such as Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4850 Victoria Estate Queensland