Acoustic Blues Guitar Teacher 4850 Toobanna Queensland

acoustic blues guitar instructor Toobanna Queensland 4850

 

Acoustic Blues Guitar Teacher 4850 Toobanna Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of popular music throughout the USA.

Although instrumental accompaniment is almost worldwide in the blues, the blues is basically a vocal kind. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is typically one of depression or melancholy, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques such as melisma (keeping up an individual syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Typically the first two and a half measures of each line are given to a half, the last measure and singing composed of an instrumental “break” that recurs, responses, or complements the vocal line. In terms of functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4850 Toobanna.

African influences are clear in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The origins of the blues are poorly recorded. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in Georgia, three main areas and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Influenced by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, clear singing followed by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blues Guitar Lessons - Brownie McGhee

Acoustic Blues Guitar Teacher Queensland 4850 Toobanna.

Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mostly stage singers backed by jazz bands; their style is called classic blues.

The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more advanced urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The electric guitar and the harmonica that was amplified created a driving sound of great rhythmic and psychological intensity.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest role in the growth of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been influenced by the blues. Jazz and blues are closely connected; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Soul music and rhythm and blues also reveal obvious blues tonalities and forms. The blues have had their greatest effect on rock music.

Rock singers for example Elvis Presley frequently used blues content. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Toobanna Queensland 4850

Acoustic Blues Guitar Teacher Queensland 4850 Toobanna

 

 

 

 

 

 

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