Acoustic Blues Guitar Teacher 4825 The Monument Queensland

acoustic blues guitar instructor The Monument Queensland 4825

 

Acoustic Blues Guitar Teacher The Monument 4825 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of music that is popular throughout the USA.

Although instrumental accompaniment is almost universal in the blues, the blues is basically a a form that is vocal. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings instead of telling stories. The emotion expressed is generally one of depression or melancholy, often due to problems in love.

Typically the first two and a half measures of each line are committed to a half, the last measure and singing comprising an instrumental “break” that complements the vocal line, answers, or repeats. When it comes to functional (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4825 The Monument Queensland.

African influences are noticeable in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The origins of the blues are poorly recorded. It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and then many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Texas, Georgia and the Carolinas, three principal regions, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Impacted by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles.

High, clean singing accompanied by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher 4825 The Monument Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is called classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The electric guitar and the amplified harmonica created a driving sound of great emotional and rhythmic intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, nonetheless, that played the greatest part in the development of urban blues. After World War II they were supplanted by a new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been influenced by the blues. Jazz and blues are closely related; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Rhythm and soul music and blues also show forms and apparent blues tonalities. The blues have had their biggest influence on rock music.

Blues content was often used by early rock singers like Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher The Monument Queensland 4825

Acoustic Blues Guitar Teacher 4825 The Monument Queensland

 

 

 

 

 

 

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