Acoustic Blues Guitar Teacher Toll 4820 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of music that is popular throughout America.
Although instrumental accompaniment is virtually worldwide in the blues, the blues is basically a a kind that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers instead of telling stories. The emotion expressed is usually one of melancholy or depression, commonly due to problems in love.
Usually the first two and a half measures of each line are devoted to a half, the last measure and singing composed of an instrumental “break” that repeats, replies, or complements the vocal line. In terms of practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4820 Toll Queensland.
African influences are apparent in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The sources of the blues are badly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.
The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterward many other Tin Pan Alley songs entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in the Carolinas, Georgia and three main regions, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles.
The Texas blues is defined by high, clean singing followed by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most intense of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Toll 4820 Queensland.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mostly stage singers backed by jazz bands; their style is referred to as classic blues.
As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adjusted to the more complex urban surroundings. The amplified harmonica and the electric guitar created a driving sound of great emotional and rhythmic intensity.
Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nonetheless, that played the greatest role in the growth of urban blues.
Many other musical styles have been influenced by the blues. Blues and jazz are closely associated; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Soul music and rhythm and blues also reveal forms and apparent blues tonalities. The blues have had their biggest impact on rock music.
Rock singers like Elvis Presley often used blues content. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4820 Toll Queensland