Acoustic Blues Guitar Teacher 4816 Savannah Queensland

acoustic blues guitar instructor Savannah Queensland 4816

 

Acoustic Blues Guitar Teacher 4816 Savannah Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of music that is popular throughout America.

Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a vocal form. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings instead of telling stories. The emotion expressed is typically one of sadness or melancholy, commonly due to problems in love.

To express this musically, blues performers use vocal techniques for example melisma (prolonging one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Generally the first two and a half measures of each line are dedicated to singing, the last measure and a half composed of an instrumental “break” that responses, recurs, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4816 Savannah Queensland.

African influences are noticeable in the blues tonality, the call and response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The sources of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in Georgia, three principal regions and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.

The Texas blues is characterized by high, clear singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most powerful. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher 4816 Savannah Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women like Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is known as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more sophisticated urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass and the blues ensemble developed. The amplified harmonica and the electric guitar created a driving sound of great rhythmic and psychological intensity.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Jazz and blues are closely connected; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Rhythm and soul music and blues also reveal forms and apparent blues tonalities. The blues have had their greatest effect on rock music.

Blues content was often used by rock singers such as Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Savannah Queensland 4816

Acoustic Blues Guitar Teacher 4816 Savannah Queensland

 

 

 

 

 

 

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