Acoustic Blues Guitar Teacher 4800 Silver Creek Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of music that is popular throughout America.
Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a a kind that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists instead of telling stories. The emotion expressed is typically one of melancholy or sadness, often due to problems in love.
As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Normally the first two and a half measures of each line are devoted to a half, the last measure and singing consisting of an instrumental “break” that repeats, responses, or complements the vocal line. In terms of practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Queensland 4800 Silver Creek.
African influences are apparent in the blues tonality, the call and response pattern of the repeated refrain construction of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.
The sources of the blues are poorly documented. Blues developed in the southern United States after the American Civil War (1861–65). Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and thereafter many other Tin Pan Alley tunes entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in Georgia, three main regions and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Influenced by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles.
The Texas blues is characterized by high, sharp singing followed by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is regularly used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Silver Creek 4800 Queensland.
Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage vocalists backed by jazz bands; their style is known as classic blues.
As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adapted to the more advanced urban surroundings. The electric guitar and the harmonica that was amplified created a driving sound of psychological and rhythmic intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nonetheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been influenced by the blues. Blues and jazz are closely associated; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Soul music and rhythm and blues also show apparent blues tonalities and shapes. The blues have had their biggest influence on rock music.
Rock singers like Elvis Presley frequently used blues content. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Silver Creek 4800 Queensland