Acoustic Blues Guitar Teacher 4754 Septimus Queensland

acoustic blues guitar instructor Septimus Queensland 4754

 

Acoustic Blues Guitar Teacher Queensland 4754 Septimus

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of music that is popular throughout the United States.

Although instrumental accompaniment is virtually universal in the blues, the blues is basically a vocal kind. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings rather than telling stories. The emotion expressed is normally one of melancholy or depression, commonly due to difficulties in love.

Usually the first two and a half measures of each line are dedicated to a half, the last measure and singing consisting of an instrumental “break” that recurs, replies, or complements the vocal line. In terms of functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4754 Septimus.

African influences are clear in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain structure of the blues stanza, particularly the guitar and harmonica.

The origins of the blues are badly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and then many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in Texas, Georgia and the Carolinas, three main areas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Influenced by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, sharp singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Stella Harmony Blues Guitar

Acoustic Blues Guitar Teacher Septimus 4754 Queensland.

Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more complex urban environment. The harmonica that was amplified and the electric guitar created a driving sound of great rhythmic and psychological intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, nonetheless, that played the greatest role in the growth of urban blues. After World War II they were supplanted by a new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Jazz and blues are closely connected; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Soul music and rhythm and blues additionally show shapes and apparent blues tonalities. The blues have had their largest impact on rock music.

Rock singers such as Elvis Presley often used blues content. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Septimus Queensland 4754

Acoustic Blues Guitar Teacher Queensland 4754 Septimus

 

 

 

 

 

 

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