Acoustic Blues Guitar Teacher 4740 Te Kowai Queensland

acoustic blues guitar instructor Te Kowai Queensland 4740

 

Acoustic Blues Guitar Teacher Te Kowai 4740 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of popular music throughout the USA.

Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a a form that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers rather than telling stories. The emotion expressed is normally one of depression or melancholy, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (sustaining an individual syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Normally the first two and a half measures of each line are dedicated to singing, the last measure and a half composed of an instrumental “break” that complements the vocal line, responses, or repeats.

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Acoustic Blues Guitar Teacher Te Kowai 4740 Queensland.

African influences are clear in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The sources of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in Georgia, three main regions and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Determined by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles.

High, sharp singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it’s the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Doc Watson - Acoustic Guitar Fingerpicking Master

Acoustic Blues Guitar Teacher Te Kowai 4740 Queensland.

Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage singers backed by jazz bands; their style is called classic blues.

The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more complex urban environment. The amplified harmonica and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest part in the development of urban blues. After World War II they were supplanted by a new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Blues and jazz are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Rhythm and soul music and blues also show shapes and apparent blues tonalities. The blues have had their greatest effect on rock music.

Rock singers such as Elvis Presley frequently used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Te Kowai Queensland 4740

Acoustic Blues Guitar Teacher Queensland 4740 Te Kowai

 

 

 

 

 

 

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