Acoustic Blues Guitar Teacher 4703 Stockyard Queensland

acoustic blues guitar instructor Stockyard Queensland 4703

 

Acoustic Blues Guitar Teacher 4703 Stockyard Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of popular music throughout the United States.

Although instrumental accompaniment is nearly universal in the blues, the blues is basically a a kind that is vocal. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings instead of telling stories. The emotion expressed is generally one of sadness or melancholy, often due to problems in love.

To express this musically, blues performers use vocal techniques such as melisma (prolonging just one syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Commonly the first two and a half measures of each line are given to a half, the last measure and singing comprising an instrumental “break” that complements the vocal line, answers, or recurs.

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Acoustic Blues Guitar Teacher 4703 Stockyard Queensland.

African influences are clear in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The origins of the blues are badly recorded. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and afterward many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in the Carolinas, Georgia and three main regions, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Impacted by ragtime and white folk music, it is more melodic than the Texas and Mississippi styles.

High, clean singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blind Boy Fuller - Ragtime Blues Guitar Master

Acoustic Blues Guitar Teacher Stockyard 4703 Queensland.

Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage singers backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more sophisticated urban surroundings. The amplified harmonica and the electric guitar created a driving sound of psychological and rhythmic intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest part in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Blues and jazz are closely related; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Rhythm and soul music and blues additionally reveal obvious blues tonalities and forms. The blues have had their largest impact on rock music.

Blues material was regularly used by rock singers like Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Stockyard Queensland 4703

Acoustic Blues Guitar Teacher 4703 Stockyard Queensland

 

 

 

 

 

 

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