Acoustic Blues Guitar Teacher Tungamull 4702 Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of popular music throughout America.
Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a a type that is vocal. Blues songs are lyrical rather than narrative; blues singers are expressing feelings instead of telling stories. The emotion expressed is usually one of sadness or melancholy, commonly due to difficulties in love.
As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Typically the first two and a half measures of each line are devoted to the last measure, singing and a half composed of an instrumental “break” that replies, recurs, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4702 Tungamull Queensland.
African influences are noticeable in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.
The origins of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in the Carolinas, Georgia and three main regions, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Influenced by white and ragtime folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is characterized by high, clean singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Tungamull 4702 Queensland.
Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mainly stage singers backed by jazz bands; their style is called classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more complex urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The harmonica that was amplified and the electric guitar created a driving sound of rhythmic and emotional intensity that was great.
Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nevertheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been affected by the blues. Jazz and blues are closely related; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements in their music. Rhythm and soul music and blues additionally reveal forms and apparent blues tonalities. The blues have had their biggest influence on rock music.
Rock singers for example Elvis Presley often used blues material. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4702 Tungamull