Acoustic Blues Guitar Teacher Targinnie 4694 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of popular music throughout the United States.
Although instrumental accompaniment is nearly worldwide in the blues, the blues is essentially a vocal form. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers instead of telling stories. The emotion expressed is typically one of melancholy or sadness, commonly due to difficulties in love.
Generally the first two and a half measures of each line are dedicated to the last measure, singing and a half composed of an instrumental “break” that recurs, answers, or complements the vocal line. In terms of functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Targinnie 4694 Queensland.
African influences are evident in the blues tonality, the call and response pattern of the repeated refrain construction of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.
The sources of the blues are badly documented. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and then many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Georgia, three principal areas and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is characterized by high, clean singing followed by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most powerful. Vocally, it is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher 4694 Targinnie Queensland.
Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage vocalists backed by jazz bands; their style is referred to as classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adapted to the more complex urban surroundings. The electric guitar and the amplified harmonica created a driving sound of psychological and rhythmic intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis.
It was Chicago, nonetheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been affected by the blues. Blues and jazz are closely associated; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Soul music and rhythm and blues also show apparent blues tonalities and shapes. The blues have had their greatest impact on rock music.
Rock singers such as Elvis Presley often used blues material. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4694 Targinnie Queensland