Acoustic Blues Guitar Teacher 4680 West Stowe Queensland

acoustic blues guitar instructor West Stowe Queensland 4680

 

Acoustic Blues Guitar Teacher 4680 West Stowe Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of popular music throughout the United States.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a a form that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers rather than telling stories. The emotion expressed is normally one of melancholy or depression, often due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (sustaining a single syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Usually the first two and a half measures of each line are given to the last measure, singing and a half comprising an instrumental “break” that recurs, replies, or complements the vocal line. When it comes to practical (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher West Stowe 4680 Queensland.

African influences are apparent in the blues tonality, the call and response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The sources of the blues are poorly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterwards many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Georgia, three principal areas and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Determined by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles.

The Texas blues is characterized by high, sharp singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it truly is the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4680 West Stowe.

Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is known as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more complex urban environment. The amplified harmonica and the electric guitar created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, nonetheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

Many other musical styles have been affected by the blues. Blues and jazz are closely associated; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Soul music and rhythm and blues additionally reveal obvious blues tonalities and shapes. The blues have had their greatest impact on rock music.

Early rock singers such as Elvis Presley often used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher West Stowe Queensland 4680

Acoustic Blues Guitar Teacher 4680 West Stowe Queensland

 

 

 

 

 

 

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