Acoustic Blues Guitar Teacher 4680 Taragoola Queensland

acoustic blues guitar instructor Taragoola Queensland 4680

 

Acoustic Blues Guitar Teacher Queensland 4680 Taragoola

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of music that is popular throughout America.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a vocal form. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is generally one of depression or melancholy, commonly due to problems in love.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Usually the first two and a half measures of each line are devoted to a half, the last measure and singing consisting of an instrumental “break” that repeats, replies, or complements the vocal line.

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Acoustic Blues Guitar Teacher 4680 Taragoola Queensland.

African influences are obvious in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The sources of the blues are poorly documented. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and then many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in Mississippi, Georgia and the Carolinas, Texas, and three main areas. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Affected by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is defined by high, clean singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Taragoola 4680 Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage singers backed by jazz bands; their style is known as classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The amplified harmonica and the electric guitar created a driving sound of great rhythmic and emotional intensity.

Hooker, John Lee [Credit:

It was Chicago, however, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Jazz and blues are closely linked; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Rhythm and soul music and blues additionally reveal shapes and clear blues tonalities. The blues have had their largest effect on rock music.

Rock singers like Elvis Presley regularly used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Taragoola Queensland 4680

Acoustic Blues Guitar Teacher Queensland 4680 Taragoola

 

 

 

 

 

 

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