Acoustic Blues Guitar Teacher Queensland 4680 Tannum Sands
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of popular music throughout the USA.
Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a vocal kind. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is normally one of sadness or melancholy, commonly due to problems in love.
As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Usually the first two and a half measures of each line are committed to the last measure, singing and a half composed of an instrumental “break” that recurs, replies, or complements the vocal line. When it comes to practical (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Tannum Sands 4680 Queensland.
African influences are noticeable in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The sources of the blues are badly documented. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterwards many other Tin Pan Alley tunes entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in three principal regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Impacted by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.
High, clear singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is often used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4680 Tannum Sands.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mostly stage singers backed by jazz bands; their style is known as classic blues.
As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographic dispersal of the blues. The blues became adapted to the more sophisticated urban surroundings. The harmonica that was amplified and the electric guitar created a driving sound of emotional and rhythmic intensity that was great.
Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nevertheless, that played the greatest role in the development of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
The blues have influenced many other musical styles. Jazz and blues are closely connected; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Soul music and rhythm and blues also reveal obvious blues tonalities and forms. The blues have had their largest impact on rock music.
Blues material was frequently used by rock singers such as Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4680 Tannum Sands Queensland