Acoustic Blues Guitar Teacher 4677 Seventeen Seventy Queensland

acoustic blues guitar instructor Seventeen Seventy Queensland 4677

 

Acoustic Blues Guitar Teacher Seventeen Seventy 4677 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of music that is popular throughout the USA.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a a kind that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is generally one of melancholy or depression, often due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (sustaining an individual syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Usually the first two and a half measures of each line are devoted to a half, the last measure and singing comprising an instrumental “break” that recurs, replies, or complements the vocal line.

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Acoustic Blues Guitar Teacher 4677 Seventeen Seventy Queensland.

African influences are clear in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The origins of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and thereafter many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in Mississippi, Georgia and the Carolinas, Texas, and three principal regions. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Influenced by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clear singing accompanied by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most powerful. Vocally, it is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blues Guitar Lessons - Brownie McGhee

Acoustic Blues Guitar Teacher Queensland 4677 Seventeen Seventy.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage singers backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adjusted to the more complex urban surroundings. The electric guitar and the amplified harmonica created a driving sound of rhythmic and emotional intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

The blues have influenced many other musical styles. Jazz and blues are closely associated; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Rhythm and soul music and blues also show shapes and obvious blues tonalities. The blues have had their largest impact on rock music.

Early rock singers for example Elvis Presley frequently used blues content. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Seventeen Seventy Queensland 4677

Acoustic Blues Guitar Teacher Seventeen Seventy 4677 Queensland

 

 

 

 

 

 

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