Acoustic Blues Guitar Teacher 4670 Watalgan Queensland

acoustic blues guitar instructor Watalgan Queensland 4670

 

Acoustic Blues Guitar Teacher Watalgan 4670 Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of popular music throughout America.

Although instrumental accompaniment is almost worldwide in the blues, the blues is basically a vocal form. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is typically one of depression or melancholy, commonly due to problems in love.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Usually the first two and a half measures of each line are devoted to the last measure, singing and a half consisting of an instrumental “break” that recurs, answers, or complements the vocal line. When it comes to functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Watalgan 4670 Queensland.

African influences are obvious in the blues tonality, the call and response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The sources of the blues are badly recorded. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in Georgia, three main regions and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Impacted by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is defined by high, clean singing followed by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most powerful. Vocally, it’s the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher 4670 Watalgan Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage singers backed by jazz bands; their style is known as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adapted to the more sophisticated urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The harmonica that was amplified and the electric guitar created a driving sound of psychological and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest part in the development of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Blues and jazz are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Rhythm and soul music and blues also show shapes and obvious blues tonalities. The blues have had their biggest effect on rock music.

Blues material was often used by early rock singers such as Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Watalgan Queensland 4670

Acoustic Blues Guitar Teacher Watalgan 4670 Queensland

 

 

 

 

 

 

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