Acoustic Blues Guitar Teacher 4655 Wondunna Queensland

acoustic blues guitar instructor Wondunna Queensland 4655

 

Acoustic Blues Guitar Teacher Queensland 4655 Wondunna

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of popular music throughout America.

Although instrumental accompaniment is nearly worldwide in the blues, the blues is basically a vocal form. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers instead of telling stories. The emotion expressed is usually one of depression or melancholy, commonly due to problems in love.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Generally the first two and a half measures of each line are devoted to the last measure, singing and a half comprising an instrumental “break” that complements the vocal line, answers, or recurs. In terms of practical (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4655 Wondunna.

African influences are noticeable in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and then many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in three principal areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Influenced by white and ragtime folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, clean singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blues Guitar Lessons - Brownie McGhee

Acoustic Blues Guitar Teacher Queensland 4655 Wondunna.

Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage singers backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more advanced urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The electric guitar and the amplified harmonica created a driving sound of great emotional and rhythmic intensity.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Jazz and blues are closely associated; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements in their music. Rhythm and soul music and blues additionally show shapes and apparent blues tonalities. The blues have had their biggest impact on rock music.

Blues content was regularly used by rock singers for example Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Wondunna Queensland 4655

Acoustic Blues Guitar Teacher 4655 Wondunna Queensland

 

 

 

 

 

 

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