Acoustic Blues Guitar Teacher 4650 St Mary Queensland

acoustic blues guitar instructor St Mary Queensland 4650

 

Acoustic Blues Guitar Teacher 4650 St Mary Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of popular music throughout the United States.

Although instrumental accompaniment is virtually universal in the blues, the blues is basically a a kind that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers rather than telling stories. The emotion expressed is usually one of sadness or melancholy, often due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (keeping up just one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Commonly the first two and a half measures of each line are committed to singing, the last measure and a half composed of an instrumental “break” that answers, recurs, or complements the vocal line. When it comes to practical (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4650 St Mary.

African influences are apparent in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, particularly the guitar and harmonica.

The sources of the blues are poorly documented. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterwards many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in the Carolinas, Georgia and three main areas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Affected by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles.

High, sharp singing followed by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is often used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4650 St Mary.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage singers backed by jazz bands; their style is referred to as classic blues.

The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more sophisticated urban environment. The amplified harmonica and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Blues and jazz are closely connected; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Soul music and rhythm and blues also reveal clear blues tonalities and forms. The blues have had their greatest impact on rock music.

Blues content was often used by rock singers for example Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher St Mary Queensland 4650

Acoustic Blues Guitar Teacher Queensland 4650 St Mary

 

 

 

 

 

 

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