Acoustic Blues Guitar Teacher 4625 Wilson Valley Queensland

acoustic blues guitar instructor Wilson Valley Queensland 4625

 

Acoustic Blues Guitar Teacher Wilson Valley 4625 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of popular music throughout the United States.

Although instrumental accompaniment is virtually universal in the blues, the blues is essentially a vocal kind. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is usually one of melancholy or sadness, commonly due to problems in love.

To express this musically, blues performers use vocal techniques such as melisma (sustaining a single syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Typically the first two and a half measures of each line are given to singing, the last measure and a half consisting of an instrumental “break” that responses, repeats, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4625 Wilson Valley.

African influences are noticeable in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The sources of the blues are badly recorded. It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterward many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Georgia, three principal regions and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Affected by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles.

High, clean singing accompanied by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4625 Wilson Valley.

Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage singers backed by jazz bands; their style is known as classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more sophisticated urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The harmonica that was amplified and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Blues and jazz are closely related; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements in their music. Soul music and rhythm and blues additionally reveal apparent blues tonalities and shapes. The blues have had their greatest influence on rock music.

Blues material was frequently used by early rock singers like Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Wilson Valley Queensland 4625

Acoustic Blues Guitar Teacher Queensland 4625 Wilson Valley

 

 

 

 

 

 

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