Acoustic Blues Guitar Teacher Stockhaven 4625 Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of music that is popular throughout the USA.
Although instrumental accompaniment is almost worldwide in the blues, the blues is basically a vocal form. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings as opposed to telling stories. The emotion expressed is generally one of sadness or melancholy, often due to difficulties in love.
To express this musically, blues performers use vocal techniques for example melisma (keeping up an individual syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
Commonly the first two and a half measures of each line are given to singing, the last measure and a half composed of an instrumental “break” that complements the vocal line, answers, or recurs. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Queensland 4625 Stockhaven.
African influences are evident in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, especially the guitar and harmonica.
The sources of the blues are badly recorded. Blues developed in the southern United States after the American Civil War (1861–65). Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.
The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and thereafter many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in the Carolinas, Georgia and three main areas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Impacted by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles.
High, clear singing accompanied by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher 4625 Stockhaven Queensland.
Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is called classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adapted to the more complex urban environment. The amplified harmonica and the electric guitar created a driving sound of great emotional and rhythmic intensity.
Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nevertheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
The blues have influenced many other musical styles. Jazz and blues are closely linked; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Soul music and rhythm and blues also show clear blues tonalities and forms. The blues have had their biggest influence on rock music.
Blues content was regularly used by rock singers for example Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4625 Stockhaven Queensland