Acoustic Blues Guitar Teacher Wrattens Forest 4601 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of popular music throughout the USA.
Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a a form that is vocal. Blues songs are lyrical rather than narrative; blues singers are expressing feelings as opposed to telling stories. The emotion expressed is typically one of melancholy or depression, commonly due to difficulties in love.
As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Typically the first two and a half measures of each line are dedicated to the last measure, singing and a half consisting of an instrumental “break” that recurs, replies, or complements the vocal line. In terms of functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4601 Wrattens Forest Queensland.
African influences are clear in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The sources of the blues are poorly recorded. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and then many other Tin Pan Alley tunes entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in three main areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Impacted by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.
The Texas blues is defined by high, sharp singing followed by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4601 Wrattens Forest.
Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage singers backed by jazz bands; their style is referred to as classic blues.
As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adjusted to the more sophisticated urban environment. The harmonica that was amplified and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis.
It was Chicago, nonetheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been affected by the blues. Jazz and blues are closely connected; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Soul music and rhythm and blues also reveal clear blues tonalities and shapes. The blues have had their greatest effect on rock music.
Blues content was often used by rock singers such as Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4601 Wrattens Forest