Acoustic Blues Guitar Teacher 4580 Tin Can Bay Queensland

acoustic blues guitar instructor Tin Can Bay Queensland 4580

 

Acoustic Blues Guitar Teacher Queensland 4580 Tin Can Bay

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of music that is popular throughout America.

Although instrumental accompaniment is nearly universal in the blues, the blues is basically a vocal type. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is usually one of melancholy or depression, commonly due to difficulties in love.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Generally the first two and a half measures of each line are committed to singing, the last measure and a half composed of an instrumental “break” that recurs, responses, or complements the vocal line. When it comes to practical (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4580 Tin Can Bay.

African influences are clear in the blues tonality, the call and response pattern of the repeated refrain construction of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The origins of the blues are badly recorded. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and thereafter many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in Georgia, three principal regions and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, clear singing accompanied by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Stella Harmony Blues Guitar

Acoustic Blues Guitar Teacher Tin Can Bay 4580 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women such as Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adjusted to the more sophisticated urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The electric guitar and the harmonica that was amplified created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Blues and jazz are closely linked; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Rhythm and soul music and blues also reveal apparent blues tonalities and forms. The blues have had their largest effect on rock music.

Blues content was often used by rock singers like Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Tin Can Bay Queensland 4580

Acoustic Blues Guitar Teacher Queensland 4580 Tin Can Bay

 

 

 

 

 

 

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