Acoustic Blues Guitar Teacher 4575 Warana Queensland

acoustic blues guitar instructor Warana Queensland 4575

 

Acoustic Blues Guitar Teacher 4575 Warana Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of popular music throughout the United States.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a a form that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is typically one of melancholy or sadness, often due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (keeping up a single syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Normally the first two and a half measures of each line are committed to a half, the last measure and singing consisting of an instrumental “break” that complements the vocal line, answers, or recurs. In terms of functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Warana 4575 Queensland.

African influences are clear in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The origins of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in Georgia, three main regions and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Impacted by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clear singing accompanied by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4575 Warana.

Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is known as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more complex urban environment. The electric guitar and the harmonica that was amplified created a driving sound of great rhythmic and emotional intensity.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Jazz and blues are closely associated; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Soul music and rhythm and blues additionally show obvious blues tonalities and forms. The blues have had their biggest effect on rock music.

Blues content was regularly used by early rock singers like Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Warana Queensland 4575

Acoustic Blues Guitar Teacher Warana 4575 Queensland

 

 

 

 

 

 

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