Acoustic Blues Guitar Teacher 4570 Two Mile Queensland

acoustic blues guitar instructor Two Mile Queensland 4570

 

Acoustic Blues Guitar Teacher Queensland 4570 Two Mile

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of popular music throughout America.

Although instrumental accompaniment is nearly universal in the blues, the blues is essentially a vocal kind. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists rather than telling stories. The emotion expressed is normally one of depression or melancholy, often due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (keeping up a single syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Usually the first two and a half measures of each line are given to a half, the last measure and singing composed of an instrumental “break” that recurs, replies, or complements the vocal line.

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Acoustic Blues Guitar Teacher 4570 Two Mile Queensland.

African influences are obvious in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The sources of the blues are poorly recorded. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterward many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Georgia, three main areas and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, sharp singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it truly is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is often used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Doc Watson - Acoustic Guitar Fingerpicking Master

Acoustic Blues Guitar Teacher 4570 Two Mile Queensland.

Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women like Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is known as classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more complex urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The harmonica that was amplified and the electric guitar created a driving sound of great psychological and rhythmic intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

Many other musical styles have been affected by the blues. Jazz and blues are closely connected; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Soul music and rhythm and blues additionally show apparent blues tonalities and shapes. The blues have had their largest influence on rock music.

Early rock singers like Elvis Presley regularly used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Two Mile Queensland 4570

Acoustic Blues Guitar Teacher 4570 Two Mile Queensland

 

 

 

 

 

 

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