Acoustic Blues Guitar Teacher 4570 Theebine Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of music that is popular throughout the USA.
Although instrumental accompaniment is nearly universal in the blues, the blues is basically a a kind that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers instead of telling stories. The emotion expressed is generally one of depression or melancholy, commonly due to difficulties in love.
To express this musically, blues performers use vocal techniques such as melisma (sustaining one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
Usually the first two and a half measures of each line are devoted to a half, the last measure and singing composed of an instrumental “break” that complements the vocal line, responses, or repeats. In terms of practical (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Theebine 4570 Queensland.
African influences are obvious in the blues tonality, the call-and-response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The sources of the blues are poorly documented. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and then many other Tin Pan Alley songs entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in Mississippi, Georgia and the Carolinas, Texas, and three main regions. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Affected by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is characterized by high, sharp singing accompanied by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most intense of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher 4570 Theebine Queensland.
Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were primarily stage singers backed by jazz bands; their style is referred to as classic blues.
The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more sophisticated urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the amplified harmonica created a driving sound of great rhythmic and emotional intensity.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nevertheless, that played the greatest role in the growth of urban blues.
The blues have affected many other musical styles. Jazz and blues are closely related; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Rhythm and soul music and blues additionally reveal apparent blues tonalities and forms. The blues have had their biggest impact on rock music.
Early rock singers such as Elvis Presley often used blues content. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Theebine 4570 Queensland