Acoustic Blues Guitar Teacher 4561 Valdora Queensland

acoustic blues guitar instructor Valdora Queensland 4561

 

Acoustic Blues Guitar Teacher Valdora 4561 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of popular music throughout America.

Although instrumental accompaniment is nearly worldwide in the blues, the blues is essentially a vocal type. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings as opposed to telling stories. The emotion expressed is typically one of sadness or melancholy, often due to problems in love.

To express this musically, blues performers use vocal techniques for example melisma (keeping up an individual syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Generally the first two and a half measures of each line are dedicated to the last measure, singing and a half consisting of an instrumental “break” that repeats, answers, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4561 Valdora.

African influences are noticeable in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain structure of the blues stanza, particularly the guitar and harmonica.

The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and afterwards many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Mississippi, Georgia and the Carolinas, Texas, and three main areas. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it is more melodic than the Mississippi and Texas styles.

The Texas blues is defined by high, clean singing accompanied by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher Queensland 4561 Valdora.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women such as Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adjusted to the more advanced urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the harmonica that was amplified created a driving sound of great emotional and rhythmic intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest role in the growth of urban blues.

Many other musical styles have been affected by the blues. Jazz and blues are closely linked; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements in their music. Rhythm and soul music and blues additionally reveal shapes and obvious blues tonalities. The blues have had their biggest impact on rock music.

Early rock singers such as Elvis Presley frequently used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Valdora Queensland 4561

Acoustic Blues Guitar Teacher 4561 Valdora Queensland

 

 

 

 

 

 

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