Acoustic Blues Guitar Teacher 4560 Sunshine Coast Mc Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of popular music throughout America.
Although instrumental accompaniment is almost universal in the blues, the blues is basically a a kind that is vocal. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings rather than telling stories. The emotion expressed is normally one of depression or melancholy, commonly due to difficulties in love.
As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Usually the first two and a half measures of each line are given to singing, the last measure and a half consisting of an instrumental “break” that recurs, responses, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4560 Sunshine Coast Mc Queensland.
African influences are evident in the blues tonality, the call and response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.
The origins of the blues are poorly recorded. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and then many other Tin Pan Alley songs entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in the Carolinas, Georgia and three main areas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is defined by high, clean singing accompanied by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Sunshine Coast Mc 4560 Queensland.
Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is referred to as classic blues.
The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The harmonica that was amplified and the electric guitar created a driving sound of psychological and rhythmic intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nevertheless, that played the greatest part in the growth of urban blues. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
The blues have affected many other musical styles. Jazz and blues are closely connected; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Rhythm and soul music and blues additionally show apparent blues tonalities and shapes. The blues have had their biggest effect on rock music.
Early rock singers such as Elvis Presley often used blues material. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Sunshine Coast Mc 4560 Queensland