Acoustic Blues Guitar Teacher 4507 Woorim Queensland

acoustic blues guitar instructor Woorim Queensland 4507

 

Acoustic Blues Guitar Teacher Woorim 4507 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of popular music throughout the USA.

Although instrumental accompaniment is nearly universal in the blues, the blues is basically a vocal form. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings as opposed to telling stories. The emotion expressed is usually one of melancholy or sadness, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (sustaining just one syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Generally the first two and a half measures of each line are devoted to the last measure, singing and a half consisting of an instrumental “break” that repeats, replies, or complements the vocal line. When it comes to functional (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4507 Woorim.

African influences are noticeable in the blues tonality, the call and response pattern of the repeated refrain construction of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in three main areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Affected by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles.

High, clear singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it is the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blues Guitar Lessons - Acoustic Blues Guitar Teacher Woorim Queensland 4507

Acoustic Blues Guitar Teacher Woorim 4507 Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women like Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is known as classic blues.

The World Wars and the Great Depression caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more sophisticated urban environment. The amplified harmonica and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

Many other musical styles have been affected by the blues. Jazz and blues are closely linked; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Soul music and rhythm and blues additionally reveal clear blues tonalities and forms. The blues have had their largest impact on rock music.

Early rock singers for example Elvis Presley frequently used blues content. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Woorim Queensland 4507

Acoustic Blues Guitar Teacher 4507 Woorim Queensland

 

 

 

 

 

 

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Acoustic Blues Guitar Teacher 4507 Woorim Queensland

acoustic blues guitar instructor Woorim Queensland 4507

 

Acoustic Blues Guitar Teacher Queensland 4507 Woorim

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of music that is popular throughout the USA.

Although instrumental accompaniment is nearly universal in the blues, the blues is essentially a vocal kind. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is usually one of melancholy or depression, commonly due to problems in love.

To express this musically, blues performers use vocal techniques including melisma (keeping up just one syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Usually the first two and a half measures of each line are devoted to a half, the last measure and singing comprising an instrumental “break” that repeats, responses, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

Oops, something went wrong.

 

Acoustic Blues Guitar Teacher Woorim 4507 Queensland.

African influences are evident in the blues tonality, the call-and-response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The origins of the blues are badly recorded. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and then many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in the Carolinas, Georgia and three main areas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clean singing accompanied by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most influential. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blues Guitar Lessons - Brownie McGhee

Acoustic Blues Guitar Teacher Woorim 4507 Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women such as Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage singers backed by jazz bands; their style is known as classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The electric guitar and the amplified harmonica created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest role in the development of urban blues. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been affected by the blues. Jazz and blues are closely linked; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Rhythm and soul music and blues additionally show apparent blues tonalities and shapes. The blues have had their largest effect on rock music.

Early rock singers such as Elvis Presley frequently used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Woorim Queensland 4507

Acoustic Blues Guitar Teacher Woorim 4507 Queensland

 

 

 

 

 

 

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