Acoustic Blues Guitar Teacher 4478 Windeyer Queensland

acoustic blues guitar instructor Windeyer Queensland 4478

 

Acoustic Blues Guitar Teacher Windeyer 4478 Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of popular music throughout the USA.

Although instrumental accompaniment is nearly universal in the blues, the blues is basically a vocal type. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers rather than telling stories. The emotion expressed is normally one of depression or melancholy, often due to difficulties in love.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Normally the first two and a half measures of each line are given to singing, the last measure and a half consisting of an instrumental “break” that replies, recurs, or complements the vocal line. In terms of functional (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Windeyer 4478 Queensland.

African influences are clear in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The origins of the blues are badly documented. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and thereafter many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Texas, Georgia and the Carolinas, three main areas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.

High, clean singing accompanied by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Stella Harmony Blues Guitar

Acoustic Blues Guitar Teacher Windeyer 4478 Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women including Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage vocalists backed by jazz bands; their style is known as classic blues.

The World Wars and the Great Depression caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass and the blues ensemble developed. The amplified harmonica and the electric guitar created a driving sound of rhythmic and emotional intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, nonetheless, that played the greatest part in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been affected by the blues. Blues and jazz are closely linked; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Soul music and rhythm and blues also reveal forms and apparent blues tonalities. The blues have had their biggest impact on rock music.

Early rock singers for example Elvis Presley frequently used blues content. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Windeyer Queensland 4478

Acoustic Blues Guitar Teacher 4478 Windeyer Queensland

 

 

 

 

 

 

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