Acoustic Blues Guitar Teacher 4411 Warra Queensland

acoustic blues guitar instructor Warra Queensland 4411

 

Acoustic Blues Guitar Teacher Queensland 4411 Warra

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of music that is popular throughout the United States.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a vocal type. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is generally one of melancholy or sadness, often due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (keeping up one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Normally the first two and a half measures of each line are given to singing, the last measure and a half composed of an instrumental “break” that repeats, replies, or complements the vocal line. In terms of functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4411 Warra Queensland.

African influences are apparent in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The origins of the blues are badly recorded. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and thereafter many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in three principal regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Determined by white and ragtime folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clean singing accompanied by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is often used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher 4411 Warra Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is referred to as classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the amplified harmonica created a driving sound of great emotional and rhythmic intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

The blues have influenced many other musical styles. Jazz and blues are closely associated; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Soul music and rhythm and blues additionally show obvious blues tonalities and shapes. The blues have had their largest influence on rock music.

Blues material was often used by rock singers for example Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Warra Queensland 4411

Acoustic Blues Guitar Teacher Warra 4411 Queensland

 

 

 

 

 

 

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