Acoustic Blues Guitar Teacher 4340 The Bluff Queensland

acoustic blues guitar instructor The Bluff Queensland 4340

 

Acoustic Blues Guitar Teacher The Bluff 4340 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of popular music throughout the USA.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a a type that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers instead of telling stories. The emotion expressed is generally one of melancholy or depression, commonly due to problems in love.

To express this musically, blues performers use vocal techniques including melisma (sustaining an individual syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Typically the first two and a half measures of each line are devoted to singing, the last measure and a half comprising an instrumental “break” that responses, recurs, or complements the vocal line. When it comes to functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher The Bluff 4340 Queensland.

African influences are clear in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are badly recorded. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in Texas, Georgia and the Carolinas, three principal regions, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Impacted by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clear singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it’s the most speech-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blind Boy Fuller - Ragtime Blues Guitar Master

Acoustic Blues Guitar Teacher 4340 The Bluff Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage singers backed by jazz bands; their style is called classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more complex urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass and the blues ensemble developed. The electric guitar and the harmonica that was amplified created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, nonetheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Blues and jazz are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Rhythm and soul music and blues additionally reveal shapes and clear blues tonalities. The blues have had their largest influence on rock music.

Blues material was often used by rock singers like Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher The Bluff Queensland 4340

Acoustic Blues Guitar Teacher 4340 The Bluff Queensland

 

 

 

 

 

 

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