Acoustic Blues Guitar Teacher Queensland 4311 Wivenhoe Hill
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of popular music throughout the USA.
Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a vocal form. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers instead of telling stories. The emotion expressed is usually one of sadness or melancholy, often due to problems in love.
To express this musically, blues performers use vocal techniques for example melisma (sustaining just one syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
Commonly the first two and a half measures of each line are dedicated to a half, the last measure and singing composed of an instrumental “break” that recurs, replies, or complements the vocal line. When it comes to functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4311 Wivenhoe Hill Queensland.
African influences are apparent in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain arrangement of the blues stanza, notably the guitar and harmonica.
The sources of the blues are poorly documented. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.
The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and afterwards many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in the Carolinas, Georgia and three main areas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Impacted by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles.
High, clean singing followed by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4311 Wivenhoe Hill.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women such as Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is known as classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more sophisticated urban environment. The harmonica that was amplified and the electric guitar created a driving sound of great rhythmic and psychological intensity.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nonetheless, that played the greatest part in the growth of urban blues.
The blues have influenced many other musical styles. Jazz and blues are closely connected; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Rhythm and soul music and blues additionally reveal obvious blues tonalities and shapes. The blues have had their biggest impact on rock music.
Blues content was regularly used by early rock singers for example Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Wivenhoe Hill 4311 Queensland