Acoustic Blues Guitar Teacher 4309 Washpool Queensland

acoustic blues guitar instructor Washpool Queensland 4309

 

Acoustic Blues Guitar Teacher Washpool 4309 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of music that is popular throughout America.

Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a vocal form. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings as opposed to telling stories. The emotion expressed is normally one of melancholy or sadness, commonly due to problems in love.

To express this musically, blues performers use vocal techniques for example melisma (sustaining an individual syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Typically the first two and a half measures of each line are given to the last measure, singing and a half composed of an instrumental “break” that complements the vocal line, replies, or repeats. In terms of functional (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4309 Washpool.

African influences are clear in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). Southern black men, most of whom came from the milieu of agricultural workers derived from and mainly played blues.

The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterward many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in the Carolinas, Georgia and three main regions, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Impacted by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clean singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most intense of the three styles. Vocally, it’s the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blind Boy Fuller - Ragtime Blues Guitar Master

Acoustic Blues Guitar Teacher Queensland 4309 Washpool.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women including Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is called classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adapted to the more complex urban surroundings. The electric guitar and the harmonica that was amplified created a driving sound of great rhythmic and psychological intensity.

Hooker, John Lee [Credit:

It was Chicago, however, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Jazz and blues are closely associated; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Soul music and rhythm and blues also reveal shapes and obvious blues tonalities. The blues have had their greatest impact on rock music.

Blues content was frequently used by rock singers like Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Washpool Queensland 4309

Acoustic Blues Guitar Teacher 4309 Washpool Queensland

 

 

 

 

 

 

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