Acoustic Blues Guitar Teacher 4306 Vernor Queensland

acoustic blues guitar instructor Vernor Queensland 4306

 

Acoustic Blues Guitar Teacher 4306 Vernor Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of popular music throughout the United States.

Although instrumental accompaniment is virtually universal in the blues, the blues is essentially a a kind that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists instead of telling stories. The emotion expressed is typically one of depression or melancholy, commonly due to problems in love.

To express this musically, blues performers use vocal techniques for example melisma (prolonging an individual syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Usually the first two and a half measures of each line are committed to the last measure, singing and a half consisting of an instrumental “break” that repeats, replies, or complements the vocal line. In terms of functional (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4306 Vernor Queensland.

African influences are clear in the blues tonality, the call-and-response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The origins of the blues are poorly documented. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in three principal regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Impacted by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.

High, clean singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher 4306 Vernor Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adapted to the more sophisticated urban environment. The harmonica that was amplified and the electric guitar created a driving sound of great rhythmic and psychological intensity.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Blues and jazz are closely connected; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Rhythm and soul music and blues additionally show clear blues tonalities and forms. The blues have had their greatest effect on rock music.

Blues material was often used by rock singers for example Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Vernor Queensland 4306

Acoustic Blues Guitar Teacher 4306 Vernor Queensland

 

 

 

 

 

 

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Acoustic Blues Guitar Teacher 4306 Vernor Queensland

acoustic blues guitar instructor Vernor Queensland 4306

 

Acoustic Blues Guitar Teacher Vernor 4306 Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of popular music throughout America.

Although instrumental accompaniment is nearly universal in the blues, the blues is essentially a vocal kind. Blues songs are lyrical rather than narrative; blues singers are expressing feelings as opposed to telling stories. The emotion expressed is usually one of sadness or melancholy, often due to difficulties in love.

Commonly the first two and a half measures of each line are given to a half, the last measure and singing consisting of an instrumental “break” that complements the vocal line, responses, or repeats.

Oops, something went wrong.

 

Acoustic Blues Guitar Teacher Vernor 4306 Queensland.

African influences are clear in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The origins of the blues are poorly documented. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterwards many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in Georgia, three main areas and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.

The Texas blues is defined by high, clean singing followed by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it truly is the most speech-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blind-Blake-Blind-Blake

Acoustic Blues Guitar Teacher Vernor 4306 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is called classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more complex urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the harmonica that was amplified created a driving sound of great emotional and rhythmic intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

Many other musical styles have been influenced by the blues. Blues and jazz are closely connected; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Soul music and rhythm and blues additionally reveal obvious blues tonalities and shapes. The blues have had their greatest effect on rock music.

Early rock singers for example Elvis Presley frequently used blues content. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Vernor Queensland 4306

Acoustic Blues Guitar Teacher Queensland 4306 Vernor

 

 

 

 

 

 

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