Acoustic Blues Guitar Teacher Surfers Paradise 4217 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of popular music throughout the United States.
Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a a form that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers instead of telling stories. The emotion expressed is generally one of depression or melancholy, commonly due to problems in love.
To express this musically, blues performers use vocal techniques for example melisma (keeping up one syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
Generally the first two and a half measures of each line are given to the last measure, singing and a half comprising an instrumental “break” that repeats, answers, or complements the vocal line. In terms of functional (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Surfers Paradise 4217 Queensland.
African influences are apparent in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain arrangement of the blues stanza, notably the guitar and harmonica.
The sources of the blues are badly recorded. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in three main areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Influenced by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is characterized by high, clear singing accompanied by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4217 Surfers Paradise.
Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage singers backed by jazz bands; their style is known as classic blues.
As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adjusted to the more sophisticated urban surroundings. The electric guitar and the harmonica that was amplified created a driving sound of great rhythmic and emotional intensity.
Hooker, John Lee [Credit:
It was Chicago, nevertheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.
The blues have affected many other musical styles. Jazz and blues are closely associated; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Rhythm and soul music and blues additionally reveal apparent blues tonalities and forms. The blues have had their biggest impact on rock music.
Blues material was regularly used by rock singers like Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4217 Surfers Paradise Queensland