Acoustic Blues Guitar Teacher 4211 Southern Lamington Queensland

acoustic blues guitar instructor Southern Lamington Queensland 4211

 

Acoustic Blues Guitar Teacher 4211 Southern Lamington Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of popular music throughout the United States.

Although instrumental accompaniment is virtually universal in the blues, the blues is basically a vocal form. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is typically one of sadness or melancholy, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (keeping up one syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Generally the first two and a half measures of each line are given to the last measure, singing and a half comprising an instrumental “break” that replies, repeats, or complements the vocal line. In terms of functional (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Southern Lamington 4211 Queensland.

African influences are noticeable in the blues tonality, the call-and-response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in Mississippi, Georgia and the Carolinas, Texas, and three main areas. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Determined by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles.

The Texas blues is defined by high, sharp singing accompanied by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher 4211 Southern Lamington Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women including Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage singers backed by jazz bands; their style is referred to as classic blues.

The World Wars and the Great Depression caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more sophisticated urban surroundings. The electric guitar and the amplified harmonica created a driving sound of great psychological and rhythmic intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, however, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been affected by the blues. Blues and jazz are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Rhythm and soul music and blues additionally show clear blues tonalities and forms. The blues have had their largest effect on rock music.

Early rock singers such as Elvis Presley regularly used blues content. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Southern Lamington Queensland 4211

Acoustic Blues Guitar Teacher 4211 Southern Lamington Queensland

 

 

 

 

 

 

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