Acoustic Blues Guitar Teacher Queensland 4173 Tingalpa Dc
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of popular music throughout America.
Although instrumental accompaniment is almost universal in the blues, the blues is essentially a vocal kind. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings as opposed to telling stories. The emotion expressed is usually one of depression or melancholy, commonly due to problems in love.
As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Usually the first two and a half measures of each line are committed to singing, the last measure and a half comprising an instrumental “break” that recurs, responses, or complements the vocal line. When it comes to practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4173 Tingalpa Dc Queensland.
African influences are evident in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain structure of the blues stanza, especially the guitar and harmonica.
The origins of the blues are badly recorded. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and then many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in the Carolinas, Georgia and three main regions, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Influenced by ragtime and white folk music, it is more melodic than the Texas and Mississippi styles.
The Texas blues is characterized by high, clear singing followed by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4173 Tingalpa Dc.
Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage vocalists backed by jazz bands; their style is called classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more advanced urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass and the blues ensemble developed. The electric guitar and the harmonica that was amplified created a driving sound of emotional and rhythmic intensity that was great.
Hooker, John Lee [Credit:
It was Chicago, nevertheless, that played the greatest role in the development of urban blues. After World War II they were supplanted by a new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been influenced by the blues. Blues and jazz are closely related; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Rhythm and soul music and blues additionally reveal clear blues tonalities and shapes. The blues have had their biggest influence on rock music.
Early rock singers for example Elvis Presley frequently used blues content. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4173 Tingalpa Dc Queensland