Acoustic Blues Guitar Teacher Springwood 4127 Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of music that is popular throughout America.
Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a a form that is vocal. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is usually one of melancholy or sadness, often due to difficulties in love.
Normally the first two and a half measures of each line are committed to the last measure, singing and a half composed of an instrumental “break” that replies, recurs, or complements the vocal line. In terms of practical (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4127 Springwood Queensland.
African influences are evident in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.
The sources of the blues are badly recorded. It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.
The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterward many other Tin Pan Alley songs entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in three principal regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
High, clean singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4127 Springwood.
Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women such as Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is called classic blues.
The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more sophisticated urban environment. The electric guitar and the amplified harmonica created a driving sound of emotional and rhythmic intensity that was great.
Hooker, John Lee [Credit:
It was Chicago, however, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been influenced by the blues. Blues and jazz are closely associated; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Soul music and rhythm and blues also show shapes and obvious blues tonalities. The blues have had their biggest influence on rock music.
Early rock singers like Elvis Presley often used blues content. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4127 Springwood