Acoustic Blues Guitar Teacher 4122 Upper Mount Gravatt Queensland

acoustic blues guitar instructor Upper Mount Gravatt Queensland 4122

 

Acoustic Blues Guitar Teacher Upper Mount Gravatt 4122 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of music that is popular throughout the USA.

Although instrumental accompaniment is nearly universal in the blues, the blues is basically a vocal kind. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues vocalists rather than telling stories. The emotion expressed is typically one of melancholy or sadness, commonly due to problems in love.

To express this musically, blues performers use vocal techniques for example melisma (prolonging just one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Generally the first two and a half measures of each line are committed to the last measure, singing and a half comprising an instrumental “break” that responses, recurs, or complements the vocal line. In terms of functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Upper Mount Gravatt 4122 Queensland.

African influences are apparent in the blues tonality, the call and response pattern of the repeated refrain construction of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and then many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in the Carolinas, Georgia and three principal regions, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, sharp singing followed by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it’s the most speech-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is regularly used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher Queensland 4122 Upper Mount Gravatt.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mainly stage singers backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more sophisticated urban environment. The electric guitar and the harmonica that was amplified created a driving sound of rhythmic and emotional intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest role in the growth of urban blues.

Many other musical styles have been affected by the blues. Blues and jazz are closely connected; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Soul music and rhythm and blues also show forms and apparent blues tonalities. The blues have had their greatest influence on rock music.

Blues material was often used by early rock singers such as Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Upper Mount Gravatt Queensland 4122

Acoustic Blues Guitar Teacher Upper Mount Gravatt 4122 Queensland

 

 

 

 

 

 

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